XI.About

The Attacca Journal

A living record of violin practice, repertoire, lessons, listening and learning.

Portrait of Anne-Marie Legault

I'm Anne-Marie Legault.

This is my public music notebook — a record of what I'm practising, studying, listening to and learning as I continue developing as a violinist.

Some of it starts on paper: marked scores, practice logs, lesson notes, lists of recordings and questions I want to bring back to my next lesson.

This site is where those pages become an archive.

Built and maintained by Anne-Marie Legault — a strategist, founder, and adult violin student based in Ottawa — the journal is for anyone curious about the unglamorous, deliberate work of learning an instrument. It is a record of process, not performance.

The same belief in deliberate practice shapes my work as a strategist: observe carefully, make the right correction, and keep moving into what comes next.

I'm a student, not a violin teacher. These are my notes, my process and my understanding as it develops. This is not intended as professional music instruction.

The Name

Attacca

In music, attacca means to continue directly into what comes next — to move from one movement into the following one without pausing.

That idea fits this project.

One étude into another. One lesson into the next. One correction into tomorrow's practice.

Attacca — keep goingKreutzer Étude No. 7Accolay Violin Concerto No. 1Intonation in third positionBow control at the tipPre-hearing the shift before it happensLightening the bow armReturning to the same passage, againOne étude into anotherOne lesson into the nextAttacca — keep goingKreutzer Étude No. 7Accolay Violin Concerto No. 1Intonation in third positionBow control at the tipPre-hearing the shift before it happensLightening the bow armReturning to the same passage, againOne étude into anotherOne lesson into the next